Brand and Packaging Design
Final Year study assignment – Australia showing no signs of slowing down when it comes to the gin and distillers are keeping up with demand by creating original flavours from local ingredients. However, there are now hundreds of gins for consumers to choose from and not all brands can survive in a crowded market
Primary Audience : Australian Market (18+)
Secondary Audience : International Market (18+)
The idea came after I learned about one of WA’s iconic gin brands, The West Winds Gin from Margaret River, Western Australia. The brand and quality are good, so I chose them as both a reference as well as a competitor.
The West Winds Gin has a strong brand story that gave me ideas to challenge their narrative. Since my goal is to create a brand that can represent Western Australia, I tried to find unique ways to achieve this goal in a sustainable social context.
I began to challenge the narrative of The West Winds Gin by focusing on building a Western Australian identity from the Indigenous narrative.
After some industry research and the Gin trends on the market today, I firmly believe in featuring a native West Australian botanical as the main flavour of this Gin.
Bloodroot is a native bulb vegetable, long used by the Noongar peoples of Western Australia both as a food source and to help with dysentery, mouth sores and toothache.
Bloodroot, Bohn, Meen, Mardja, Menang
Haemodorum spicatum
Bloodroot packs a spicy punch, akin to radish and chilli, and oozes a reddish sap when cut
At this stage, I started to explore several different illustrations and typography to create the brand name and logo.
Bringing the unfamiliar flavour to the distillery industry can be challenging, especially when the ingredients is not popular yet for the public. However, that is the reason why we create this brand, to share the untold story of our land.
For that reason, the packaging design heavily focusses on the illustration of the Bloodroot and brings the feeling of nature in a striking and eye-catching wooden design.
In addition to achieve the striking and eye-catching design, I use the Living Hinge Technique for the box.
In most product design, a living hinge is a small web of plastic between the cap of a product and where the cap attaches to the rest of the product.
However, for this box, I use different approach of Living Hinge technique to make the plywood more flexible.
Want to know more about this project?
marthaweruing@gmail.com